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baron wenckheim's homecoming reviews

• Baron Wenckheim’s Homecoming by László Krasznahorkai (translated by Ottilie Mulzet) is published by Tuskar Rock (£20). After viewing product detail pages, look here to find an easy way to navigate back to pages you are interested in. As speculation runs wild over how he’s going to lavish his supposedly vast fortune on zhushing-up the rundown locale, he attracts an array of oddball hangers-on, including a petty crook likening himself to Dante, which prompts a mix-up over the Baron’s ignorance of Brazilian footballers, in a small-scale instance of the comedy of errors that breaks out over his every move. Its more vatic passages can feel superfluous (“The world is nothing more than an event, lunacy, a lunacy of billions and billions of events, and nothing is fixed, nothing is confined, nothing graspable, everything slips away if we want to clutch on to it”). There are surprisingly contemporary allusions to iPhone photo galleries and the Brazilian footballer Dante. This shaggy-dog story won’t be everyone’s cup of tea, yet it’s hard to think of anything comparable to the crazed abundance on show here; as a portrait of epistemological derangement – AKA fake news – it hits the mark as well as any more hidebound attempt to catch the zeitgeist. Hungarian-born László Krasznahorkai, winner of the 2015 Man Booker international prize and best known for Satantango (1985), later made into a legendarily dour seven-hour film of the same name by Béla Tarr, has described it in summative terms: “I’ve said it a thousand times that I always wanted to write just one book … with Baron, I can close this story.”. He’s lost interest in mosses and is deeply annoyed at being confronted by his 19-year-old daughter who shows up, accompanied by a TV crew, trying to get the maintenance payments she’s owed. Meanwhile, a Professor – “one of the three most important moss experts in the entire world”, according to Nature magazine – is holed up in a ratty hut on the edge of town. Krasznahorkai has hinted that this may be his final novel and, if that’s the case, then it is a tremendous sendoff to one of our most talented writers ... Krasznahorkai is an uncommonly generous writer. This winner of the 2019 National Book Award for Translated Literature tells the story of a Prince Myshkin-like figure who returns at the end of his life to his provincial Hungarian hometown. Gypsies, Albanian gangs, mangy outsiders, polluters of pure Hungary: described in the language of flotsam and filth, they lurk at the edge of the text, cast out from their pasts but unable to get a purchase on a stable future, as displaced and dislocated in their fashion as the more central characters. You can still see all customer reviews for the product. © RTÉ 2020. Before even its title page, Baron Wenckheim’s Homecoming comes prefaced with a “warning”. “This was not the same town, and yet he was compelled to acknowledge that it was exactly the same, but it was as if somehow it had become a copy.”. These journeys and descents have a morose density that’s made all the more potent by the book’s syntax. Baron Wenckheim’s Homecoming, his latest novel, translated by Ottilie Mulzet, shares the concerns of Kraszanhorkai’s earlier work, but it is also profoundly, unsettlingly off-kilter, even in terms of the dark vision of his other novels. Baron Wenckheim’s Homecoming is a long, hard slog At nearly 600 pages, the latest novel from the prize-wining Hungarian László Krasznahorkai is his lengthiest and most ‘resistant’ yet It results in the Baron being piped off a train to an enthusiastic crowd by a bunch of hairy bikers playing ‘Madonna’s great hymn’ ‘Don’t Cry for Me Argentina’ on their horns. Reading it now may trigger intense dwelling on things. It’s also an experiment in suspense that recalls the shaggy-dog detours of improvisational comedy. This is not hysterical realism but the triumph of excess in all its startling, gravid particularity ... a fitting capstone to Krasznahorkai’s tetralogy, one of the supreme achievements of contemporary literature. Still...persistence pays off and despite the somewhat annoying beginning, as the Professor rants and raves at the press and his neglected daughter--and society as a whole, the reading becomes more intriguing as the Baron of the title arrives in the struggling Hungarian town via train. There’s no strong redemption, and the tone is black with ignorance melted down to absurdity. Read Full Review >> The "if" in my review title is worth considering. His latest novel centres on the clamour around the return of a disgraced aristocrat, the Baron, to his dreary hometown in Hungary after being driven out of Buenos Aires by gambling debts. Baron Wenckheim’s Homecoming by László Krasznahorkai review - fake news as comedy of errors The Hungarian maestro is on peerless form with a work of dark wit and dizzying prose Anthony Cummins In just a few pages, he touches on the concept of the infinite, fear as the birth of culture, the cowardice of atheism, and the pervasiveness of human illusion ... His fiction’s recursive darkness can obscure its ambiguous grace.

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