They realize and accept their dependence on the ocean and sky and the other organisms with which they share the Earth. bookmarked pages associated with this title. 3. They respect it. From this same period, "The Dragonfly," commissioned by the Corning Glass Company, links to "Roman Fountain" by a concluding reference to summer. Previous Everything on this Earth works together. Wait upon the salt wash of the sea, And the clear nights of stars. Sharp jabs strike out in nine lines beginning with "they" and a verb, each characterizing some flaw or fault. Change ), You are commenting using your Twitter account. Set in the balance of life forms that inhabit the mating of salt water with fresh water, the estuary becomes the coastal pulse point, forever renewing itself with a steady, reassuring beat. Written in an overlong pseudo-sonnet, its joyous lyricism, mirroring a baroque piazza centerpiece, takes shape around assonance (man-made/Shaping), consonance (flaw/fall), and an arrhythmic rhyme scheme of aabcddbbefgefgf. She attended Boston Girls' Latin School and spent one year at Boston University. Night: Essence of Nature a Poem Compossed by Louise Bogan Essay, What is the significance of an individual’s essence within the vast universe? Natures relationships depicted in the first stanza are beautiful. Each human is unique, separated by interactions and relationships compiled throughout the journey of life. Most members of my family continue to follow this tradition, but I went back to find my Abenaki ancestors and, though they will never accept me as a member of their tribe, I do follow their spirituality. In this seaside community, everything shares the same air and water. As the poem continues into the second and third stanza the persona uses imagery as a tool to express natures power. To her mother's dismay, before her sophomore year, she chose marriage to Silesian army officer Curt Alexander over a scholarship to Radcliffe. It was followed by three more posthumous publications: a translation of Goethe's The Sorrows of Young Werther; Novella (1971), collected letters to female friends in What the Woman Lived (1973); and a painfully honest, witty autobiography, Journey Around My Room (1980). In 1925, she married her second husband, the poet Raymond Holden, whom she divorced in 1937. While at Boston University, Bogan published in the Boston University Beacon. Encompassed in a single sentence, the four-stanza verse gradually diminishes from six lines per stanza to five, then four as it affirms the timeless grandeur of nature. Another may observe the tides while yet another may not see the ocean at all, but the stars, the sunset or sunrise, or even a single bird, dipping and diving in the sky. Louise Bogan’s Night. Give Me the Strength, Give Me the Courage to Dream on…. And the blue estuaries. Compare the naturalism of Bogan's "Night" with that of Robert Frost's "Come In" or Stave V of Hart Crane's Voyages. In 1931, she joined The New Yorker staff as poetry critic, a post she held until 1969. Night. In 1925, she married poet and bank researcher Raymond Holden, a charming, romantic wit. In 1964, she published The Journal of Jules Renard, co-translated by Elizabeth Roget. Composed in second person, the praise poem balances the harshness of "grappling love" and "beyond calculation or capture" with delight in iridescent colors and a weightlessness that seems to defy gravity. ( Log Out /  Most bodies of water are connected together. Compare the stunted women in Bogan's "Evening in the Sanitarium" with the futureless athlete in John Updike's "The Ex-Basketball Player.". and any corresponding bookmarks? Discuss water imagery in "The Roman Fountain." The abrupt contrast of tidal rhythm with human circulation emerges from a direct address to the reader. She supported herself by clerking in a bookshop and working in a public library, and she made a new home among Greenwich Village radicals Louise Bryant and John Reed and notable literati William Carlos Williams, Malcolm Cowley, Edmund Wilson, and Conrad Aiken. During World War I, the couple settled first in New York, then in Ancon, Panama, where she gave birth to a daughter, Mathilde, affectionately called "Maidie." As though dissociating herself from membership in womanhood, she belittles women for circumscribing their lives and for reining in curiosity and emotion. But the poem does not … Bogan was born in Livermore Falls, Maine, on August 11, 1897. A miracle. Contrast the poem's impetus with that of "The Sleeping Fury," which blames "false love" and "the kissed-out lie" for robbing women of contentment. Hart Crane (1899-1933). . Acclaimed as reviewer, autobiographer, and poet, Louise Bogan earned a place among the female voices of the mid-twentieth century. Vivid self-revelation energizes The Sleeping Fury (1937), published the year she was divorced. Even the “stars” located in outer space have a role as they swing their lights westward / to set behind the land”, the speaker suggests (9-11). Her Collected Poems (1954) won the Bollingen Prize. Explain how Bogan's "Women" implies that the more "provident" woman should reach out for "wilderness" and widened horizons. Acclaimed as reviewer, autobiographer, and poet, Louise Bogan earned a place among the female voices of the mid-twentieth century. I do. Of her own burden, she speaks of "the obscene nightmare" of wretched childhoods. Everything works together; everything is shared, but so long as we continue to control this Earth balance cannot be established and eventually we will lose the fight. But, no matter how these experiences could shape an individual, the most basic pillars of life will always endure. To set behind the land; Where the pulse clinging to the … At first, something as simple as the “islands” may seem unimportant (1). Upon reading this poem I remembered the nights I spent observing the ocean in the night, in solitude. Some people see it all. We could not live if only the blood in our heart moved. As a distinct loner living in a clannish New York circle, she produced an idiosyncratic style marked by epigram, dreamy landscapes, terse phrasing, and incisive images of sexual betrayal and patriarchal constraints on women. As the plot of “Night” develops, the interconnected relationships found in nature are revealed, using imagery to show, “Where what breathes, breathes / and what drinks, drinks,” the persona says (3,5). The Abenaki have a strong connection with the Earth. Bogan returned to New York to contemplate the emotional upheavals of motherhood and marriage to a demanding, self-centered mate. Using imagery, the auditor is able to understand the universe attains limits much greater then humanity. As the Bogans moved from one New England mill town to the next, May Bogan indulged in numerous extramarital affairs, which she flaunted. She richly detailed both volumes with erotic fantasy and disdain for male-centered marriage. CliffsNotes study guides are written by real teachers and professors, so no matter what you're studying, CliffsNotes can ease your homework headaches and help you score high on exams. Once analyzed, its purposed is defined by providing a warm home for life to sustain. We cannot control the earth; it has a mind of its own. Surrounded in an environment where all life resides do humans play the role of hegemony? Composed by Louise Bogan, the role of humanity is put into perspective in the poem, “Night.” The speaker emphasizes nature’s immense presence in the universe. Breaking at the end of the second stanza in the style of a fourteen-line Petrarchan sonnet, she introduces deductions about sculpture with "O," an emotional embrace of the human touch and an acknowledgment of her own works of imagination. The buoyancy stalls in line 18 and outlines an unsentimental glimpse of mutability, the demise of the insect among the other seasonal "husks.". Composed by Louise Bogan, the role of humanity is put into perspective in the poem, “Night.” The speaker emphasizes nature’s immense presence in the universe. Everything in the universe is interconnected. A widow's pension freed her to study piano in Vienna. The restless wind of the inlets, And what drinks, drinks. ( Log Out /  Her accomplished lyrics, conflicted subjects, and powerful physicality anticipated the themes and subjects of May Sarton and Sylvia Plath. We could not live without the other organisms on this earth. Subsequent contributions appeared in The Nation, The New Yorker, Scribner's, and Atlantic Monthly and won her Poetry magazine's 1930 John Reed Memorial Prize.

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